I Envy Poets, ‘Cause They’re Apple Writers

By: Marilyn L. Davis

 

Poets are Apple Writers

 

“Don’t always be appraising yourself, wondering if you are better or worse than other writers. “I will not Reason and Compare,” said Blake; “my business is to Create.” Besides, since you are like no other being ever created since the beginning of Time, you are incomparable.” ― Brenda Ueland, If You Want to Write: A Book about Art, Independence, and Spirit

 

I Envy Poets, 'Cause They're Apple Writers marilyn l davis two drops of ink

 

I will get this out there, to begin with; I have poet envy. Poets get to use: assonance, metonymy, onomatopoeia, simile, and synecdoche. I am in awe of the poets. I do not think as they do. They use symbols, paint pictures, and use metaphors to develop the topic and convey the passion.

I like to call them apple writers. Think about all the varieties and colors of apples, or the many things we can do with apples:

  1. Bake them
  2. Put them in a pie
  3. Shine one and give it to a teacher
  4. Keep the doctor away
  5. Dry them for your holiday trees
  6. Make a Pandowdy, Grunt, Crumble or Clafouti

Regardless of the envy, I am not going to start writing poetry tomorrow.  

I’m an Orange Writer

 

I Envy Poets, 'Cause They're Apple Writers marilyn l davis two drops of ink

 

Orange Writing is narrative non-fiction. We get to develop the facts. That even reads boring compared to the apples and poets. However, there is still room within this for creativity.

Barbara Lounsberry, in her book, The Art of Fact, helps redefine facts with, “Verifiable subject matter and exhaustive research guarantee the nonfiction side of literary nonfiction; the narrative form and structure disclose the writer’s artistry; and finally, its polished language reveals that the goal all along has been literature.”

Even with the blessings to be creative, I have struggled with:

  • How to convey passion to the reader?
  • What words engage the reader?
  • Is there a way to reach a wider audience? 

So what does that leave us as “orange writers” or the non-poets?

Different Styles of Passion, Poetry, and Prose

 

We convey our passions differently, not just between poetry and prose but within narrative nonfiction. I find that if I write as though I am talking and listening to one person, I write better. I ask questions of the imaginary reader to:

 

  •  Connect on an emotional level 

 

I recently edited a computer newsletter. While I’ve had a computer since the days of the Mac 512K, I am not an expert. I told the site owner that the information was excellent; however, it was too technical. Since this was a newsletter for his customers, I wondered how many of them were more like me – a user of the computer, or like him – an expert at fixing the problems?

He agreed that 99% of them were users, so I asked if the newsletter wouldn’t be more helpful if it approached his technical information from a personal perspective. I was able to use his expert advice and explain the problem from the standpoint of a user’s fear of the Blue screen of Death.

 

  •  Learn from reader comments

 

I do not profess to know all there is about being a successful writer, either. I am still learning. When I write about something I have just learned or researched, I hope that it comes across as, “Wow, I just learned this, or I figured out how to do this and wanted to share.”

You may already know the information, so it might just be a reminder for you; however, most of us need reminders from time to time, and often the comments reflect that while the subject wasn’t new, my perspective on it was. Therefore, I’ve accomplished one goal of the non-fiction writer; make the reader think, question, or interest them enough to comment.

 

  •  Show them, don’t tell them

 

Writers learned that a flat sentence would leave the reader bored. However, many nonfiction writers still tell, and that’s boring, repetitious, and tedious. If we focus on the action, emotions, and descriptions of the subject, we’re more likely to capture the reader’s attention.

Action verbs, illustrative adjectives, and powerful emotions mean that readers empathize or relate to events, people and situations and in turn, continue reading.

 

Apples, Oranges, and What About Those Other Delights?

 

How we convey our information to make it more than just the facts in narrative non-fiction might be:

  1. Alliteration
  2. Changing someone’s thinking with persuasive facts and personal perspective
  3. Compelling, dramatic examples of life
  4. Memoir
  5. Repeating sage wisdom of the ages with a new twist

Okay, I am over my poet envy. I can still use alliteration in my narrative articles, use words that illustrate the heart of the post. I can capture the imagination of the reader or relate through expressive writing. And to show my lack of jealousy, here’s a list of some poets in my world.

 

I Tip My Hat to the Poets I Know

 

  1. Scott Biddulph, my partner at Two Drops of Ink, for his softer side
  2. Mike Thorne and his wonderful ditties
  3. Alx Johns: professor and poet
  4. Phyl Campbell’s tongue-twisting rhymes – and about grammar no less
  5. Jeffery Thompson sharing moments that we’ve all experienced
  6. L.R.Laverde-Hansen capturing random human situations
  7. Ian Thorpe for sometimes making me giggle
  8. Delicia Powers for the beauty of nature in Maine
  9. Stella Mitchell for the earnest way she shows us her heart
  10. Margaret Moore for her reminders about kindness and being an American  
  11. Dr. Archan Metha  for showing us the poet’s heart
  12. John Grey for making us think 
  13. Anwer Ghani for making us feel 
  14. Mark Almand for solving the riddle of poetry
  15. Claudia Ricci for painting beautiful pictures with poetry
  16. Wayne Russell for his vulnerability
  17. Jake Cosmos Aller for his world view
  18. Jack Phillips Lowe for his attention to dialogue in poetry 
  19. Megha Sood for her international view
  20. Gerard Sarnat for helping me remember

 

Poetry Break at Two Drops of Ink – here’s an abundance of apple writing from our poets

 

 

And who knows, there may be hybrids out there who write poems and nonfiction posts in ways we haven’t thought of yet. 

That’s the beauty of writing; each of us will create our unique piece, and that’s enough for me today.

I hope it is for you.

 

Two Drops of Ink: The Literary Home for Collaborative Writing

 

 

 

Bio: Marilyn L. Davis 

 

marilyn l davis two drops of ink editor-in-chief  I Envy Poets, 'Cause They're Apple Writers marilyn l davis two drops of ink Marilyn L. Davis is the Editor-in-Chief at Two Drops of Ink and From Addict 2 Advocate. She is the author of Therapeutic Integrated Educational Recovery System (TIERS) and is a Certified Addiction Recovery Empowerment Specialist. 

Her memoir, Finding North: A Journey from Addict to Advocate is available on Amazon along with her how-to on memoir writing, Memories into Memoir: The Mindsets and Mechanics Workbook. 

 

 

 

 

 

 

11 comments

  1. This article is made up of wonderful original thinking.
    The informational content here proves that things are not so black and white.

    I feel wiser from simply reading this. Keep posting.

    • Hi, Phyl. Good to see you here. Hope you’re writing is going well. I know we’ve tried to connect before, but think about sending Scott a submission. We’ve got the Wall of Poets now and it’s missing your name and witty offerings.

    • Hi, Anita. I like the continuation of the theme in your comment. Good job. Oh, and thanks for the compliment, too. I appreciate that.

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